(1926 
Feb.18 
CherG 


BY ORDER OF THE ADMINISTRATOR 


VALUABLE PAINTINGS 


THE COLLECTION OF THE CONNOISSEUR THE LATE 


MRS. JOS. E. GOLDBLATT 


ALSO THE VERY VALUABLE COLLECTION BY GREAT 
AMERICAN AND EUROPEAN MASTERS FORMED BY ~ 


MR. MAURICE H. GOLDBLATT 


(ART EXPERT FOR THE METROPOLITAN 
GALLERIES, NEW YORK, AND BRYDEN 
ART GALLERIES, CHICAGO) WHO IS 
GIVING UP HIS RESIDENCE BECAUSE 
OF THE DEATH OF HIS MOTHER. 


ON FREE PUBLIC EXHIBITION 
BEGINNING MONDAY, FEBRUARY 15th, 
TO TIME OF SALE. 


TO BH SOLD AT 


UNRESTRICTED 


| AUCTION SALE 


ON THE AFTERNOON OF 


THURSDAY, FEBRUARY 18, 1926. 
BEGINNING AT 2 0’CLOCK SHARP 


_GRANT’S ART GALLERIES 


21 and 23 S. WABASH AVE. 


The Authenticity of every Painting is Guaranteed. 


BY ORDER OF THE ADMINISTRATOR 


VALUABLE PAINTINGS 


THE COLLECTION OF THE CONNOISSEUR THE LATE 


MRS. JOS. E. GOLDBLATT 


ALSO THE VERY VALUABLE COLLECTION BY GREAT 
AMERICAN AND EUROPEAN MASTERS FORMED BY 


MR. MAURICE H. GOLDBLATT 


(ART EXPERT FOR THE METROPOLITAN 
GALLERIES, NEW YORK, AND BRYDEN 
ART GALLERIES, CHICAGO) WHO IS 
GIVING UP HIS RESIDENCE BECAUSE 
OF THE DEATH OF HIS MOTHER. 


ON FREE PUBLIC EXHIBITION 
BEGINNING MONDAY, FEBRUARY 15th, 
TO TIME OF SALE. 


TO BE SOLD AT 


UNRESTRICTED 


AUCTION SALE 


ON THE AFTERNOON OF 


THURSDAY, FEBRUARY 18, 1926. 
BEGINNING AT 2 0’CLOCK SHARP 


GRANT’S ART GALLERIES 


21 and 23 S. WABASH AVE. 


The Authenticity of every Painting is Guaranteed. 


CONDITIONS OF SALE, 


The highest bidder to be the buyer, and if any dispute arises be- 
tween two or more bidders, the lot so in dispute shall be immediately 
put up again and resold. 


The purchasers to cive their names and addresses and to pay 
down a cash deposit or the whole of the purchase money, if required, 
in default of which the lot or lots so purchased to be immediately put 
up again and resold. : 


Title passes when the auctioneer pronounces a lot sold and while 
we will use care in caring for and delivery of purchase, we will not 
hold ourselves responsible if purchase should be lost, stolen, damaged 
or destroyed. 


The lots to be taken away at the buyer’s expense and risk upon 
the conclusion of the sale. 


Storage of purchases shall be at the risk of purchaser. 


Storage charges will be made on all purchases not removed with- 
in 48 hours. 


Bids—We make no charge for executing orders for our clients 
and use the bids left with us competitively, buying at the lowest price 
permitted by other bids. 


Note—The special attention of purchasers is called to the fact 
that the Federal tax of five per cent will be added to the purchase 
price of each picture. 


The authenticity of each of the following paintings is guaranteed, 
and the purchase price will be refunded to buyer without question 
upon the presentation in writing over the written signature of any 
reputable dealer or trustworthy expert of recognized standing in art 
circles setting forth any painting as not being original. 

The written opinion will have to be surrendered to us in case of a 
demand for a refund of the purchase price, so that the dealer or expert 
may be held responsible for such damage as might result if his opinion 
should prove to be without foundation. — 


Claims must be made within 30 days from date of sale. 


ROBERT GRANT, Auctioneer. 
Grant’s Art Galleries, 
91 and 23 8. Wabash Ave. 


SALE, THURSDAY AFTERNOON 
February 18, 1926, at 2 o'clock 


THE AUTHENTICITY OF EVERY PAINTING IN THIS 
SALE IS GUARANTEED. 


ye WILLIAM KEITH 
V American: 1839-1911 


1—California Landscape 


Pupil of Achenbach and Carl Marr. Awarded gold medal, 
Mechanies’ Institute, Boston 1869, and bronze medal, Pan-Amer- 
ican Exposition, Buffalo, 1901. 


Signed at lower right. Height, 5 inches; width, 84 inches. 


WILLIAM HART, N. A. 
American: 1823-1894 


9—Mountain Landscape 


Sees Represented in the permanent collections of the Metropolitan 
}% “ Museum, New York; Corcoran Art Gallery, Washington; Chi- 
cago Art Institute and many other galleries. 


Signed at lower right. Height, 10 inches; width, 16 inches. 


CHARLES THEODORE FRERE 
/ 7 French: 1815-1888 
RS, ‘ 8—Market Place—Algiers 


the Algerian Expedition, and afterwards spent some time in 
Egypt. Represented in nearly all the important galleries. 


Signed at lower left. Height, 7 inches; width, 5 inches. 


u 7 , Pupil of J. Cogniet and Roqueplan. In 1836 he took part in 
¥, 


EDITH CATLIN PHELPS 
American: 1879—— 
4—Landscape 


) ee Pupil of Julien Academy and Collin in Paris. Awards: 

~_ Honorable mention, Pan-American Exposition, Buffalo, 1901; 
New York Woman’s Art Club prize, 1907; Elling prize, New 
York Woman’s Art Club, 1909; Watrous figure prize, National 
Academy, 1914; Prize National Academy, 19195. 


Water color: Signed at lower left. Height, 9 inches; width, 
124 inches. | 


HENRY P. SMITH 
American: 1854-1907 


5—Venice—By Moonlight 
Exhibited in Munich and London and extensively in the 
United States. 


Siened at lower left. Height, 9 inches; width, 12 inches. 


JEAN BAPTISTE CAMILLE COROT 
French: 1796-1875 


6—The Expulsion of Adam and Eve from the Garden of Eden 
From the Corot studio sale. Stamped in red by the French 
Government ‘‘Vente Corot’’. of 
PAY - Drawing: Height, 8 inches; width, 6 inches. 


ALBERT BIERSTADT, N. A. 
American: 1830-1919 


%—Foothills of the Rocky Mountains 


Awarded medals in Austria, Germany, Bavaria and Belgium; 

Legion of Honor, 1867; Order of St. Stanislaus, 1869, In the 

meee permanent collections of the Metropolitan Museum, New York; 

/ ot Corcoran Gallery, Washington; Chicago Art Institute, and many 
fod other galleries. 


/ Signed at lower right. Height, 14 inches; width, 20 inches. | 


THEOPHILE De BOCK 


Dutch: 1851-1904 
8—Dutch Landscape 


: Pupil of Jacob Maris, J. W. Van Borselen and J. Weissen- 
bruch. Awards: Medals at Amsterdam, Munich, Berlin, Paris 
\ (Exposition Universelle, 1889) ; Chicago World’s Fair, 1893; Bar- 
ee celona, 1894; Diploma of Honor, Ghent; silver medal at the Ex- 
| —>~~ position Universelle, Paris, 1900; gold medal, Louisiana Purchase 
~~ ‘Exposition, St. Louis, 1904. Chevalier of the Order of St. Michael 
ig of Bavaria. : 
| ra Signed at lower right. Height, 103} inches; width, 12 inches. 


ANTON MAUVE 
Dutch: 1838-1888 


9—Coast Scene at Scheveningen 


A native of Zaandam and a pupil of Van Os, Mauve at an . 

early stage in his career was recognized and appreciated as a 

—) master of harmonious colors. Both in water color and in oil he 

| | has rendered the charm of Holland and of Dutch life in an indi- 

f vidual and sympathetic way, and his pictures are full of subtle 
qualities which are eminently. personal. 


Mauve was only fifteen years old when he painted this water 
color. 


Water color: Signed and dated 53 at lower right. Height, 
9 inches; width, 12 inches. 


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'_12—Dutch Fishing Boats 


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13—Barbizon Landscape 


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EMILE GRUPPE > 
American: 1896—— 


10—On the Beach—Provincetown, Mass. 


3 


Pupil of Bridgman, John F. Carlson, Art Students’ League 
of New York. 


Signed at lower right. Height, 12 inches; width, 16. inches. 


LEONARD OCHTMAN, N. A. 
American: 1854—— 


11—The Farm by the River 
Bee 


\ [ ) 
' / 
( 


Represented in the permanent collections of the Metropoli- 
tan Museum, New York; Coreoran Gallery, Washington; City 
Art Museum and many other galleries. Has won numerous prizes 
in New York, Washington, Brooklyn, Chicago, Charleston, St. 
Louis, Philadelphia, Knoxville and San Francisco. 


Signed at lower left. Height, 12 inches; width, 16 inches. 


| JACOB MARIS 
Dutch: 1837-1899 


1 


One of three remarkable brothers, all distinguished. artists, 
natives of The Hague. Jacob studied art in Antwerp and Paris, 
and returned to his native city, where he settled in 1871; most 
of his poetical and dreamy pictures are of Dutch canals and the 
shore in and around the famous Dutch seaside resort, Scheven- 
ingen. 

Water color: Signed and dated 1871 at lower right. Height, 
6 inches; width, 125 inches. 


LEON RICHET 
French: 1847-1907 


Pupil of Diaz, Lefebvre and Boulanger. His pictures are 


AO charming. At the Salon of 1877 he exhibited ‘‘Aurora’’ and 
Y pee 0rest of Fountainebleau’’; in 1876 ‘‘The Boundaries of Bar- 
bizon’’ and ‘‘ After the Storm’’; in 1878 ‘‘A Scene Near Evreaux”’ 

and ‘‘The Gleaners’’. 
Signed at lower right. Height, 13 inches; width, 16 inches. 

VIRGILIO TOJETTI 
French: 1849—— 
14—Meditation 


Born in Rome, Italy. Studied in Paris under Gerome and 
Bouguereau. Removed to America in 1870. First exhibited at 
National Academy in 1881. 


Signed at upper right. Height, 25 inches; width, 20 inches. 


LUDOLF BACKHUYSEN 


Dutch: 1631-1708 
15—Storm at Sea 


Pupil of Aldert van HEverdingen and of Hendrick Dubbels, 
but chiefly studied from nature, often exposing himself to great 
A danger to observe the sea in its various aspects. Peter the Great 
0 visited his studio in Amsterdam. 


Height, 12 inches; width, 14 inches. 


H. M. KITCHELL 
American Contemporary 


16—Fall Landscape 


ee Pupil of R. A. Blakelock. One of our best colorists. 
} 6% Purchased direct from the artist. : 
Signed at lower left. Height, 16 inches; width, 20 inches. 


GEORGE T. CONROY 
American Contemporary 
17—Autumn Landscape 


S Has exhibited extensively in the United States. . 
50 : Signed at lower left. Height, 18 inches; width, 24 inches. 


W. BOGMAN 
Dutch Contemporary 
18—In the Meadow 
tite A pupil of Mauve. 3 
yo we Siened at lower right. Height, 154 inches; width, 24% inches. 


OLIVE P. BLACK 
American: 1868—— 


San 


19—Early Spring : 

Pupil of H. Bolton Jones, Wm. M. Chase, Art Students’ 

eo League of New York and National Academy of Design, New 

Se York. Member of National Academy of Women Painters and 
i Sculptors, New York; Society of Painters, New York. 


Signed at lower right. Height, 16 inches; width, 24 inches. 


HENRI PHILLIPPOTEAUX 
French: 1815-1884 
20—The Gypsy Camp 

Chevalier of the Legion of Honor. Pupil of Cogniet. The 
7“ works of this artist are in many European galleries. ‘“Louis XV» 
c, Visiting the Battle-Field”’ is at the Luxembourg. At the Royal 
Academy, London, 1876, he exhibited, ‘‘The Charge of the Eng- 

lish Heavy Cavalry at the Battle of Waterloo”’. 


Signed at lower left. Height, 14 inches; width, 26 inches. 


ROBERT C. MINOR, N. A. 
American: 1840-1904 
2i1—Autumn Sunset 


Pupil of Diaz. He was a National Academician and a mem- 
ber of the American Water-Color Society. 


4 From the Robert C. Minor Estate Sale. 
| wv” Signed at lower right. Height, 8 inches; width, 12 inches. 


F. BARRIERE 
French Contemporary 


22_In the English Channel 
“37 Has exhibited extensively in European exhibitions. 
hs Po Signed at lower right. Height, 13 inches; width, 18 inches. 


NARCISSE VIRGILE DIAZ 
French: 1808-1876 


93—-Rural Scene near Barbizon 


Born at Bordeaux of Spanish parents and a pupil of Sigalon, 

Diaz at first painted historical and genre subjects, but is now 

. cs famous for his brilliant landscapes and figure studies. He exhib- 

| 0. ited at the Salon from 1831 and obtained medals in 1844, 1846 and 
1848; Legion of Honor, 1851. 


Water color: Signed at lower right. Height 12 inches, width 
17 inches. 


RALPH A. BLAKELOCK, N. A. 
| American: 1847-1919 
24_Landscape 
This painting was formerly owned by Le Roy Ireland, artist, 
and one of our greatest experts on American paintings. 
Siened at lower right. Height, 8 inches; width, bt inches. ¢ 


JEAN GUSTAVE JACQUET 


French: 1846-1909 
25—Ideal Head 


Pupil of Bouguereau. Medals, 1868, 1875 and 1878. Legion 
of Honor, 1879. This painting was exhibited in a loan exhibition 
in the Metropolitan Museum, New York. Paster on back. 


al ? Signed at lower center. Height, 13 inches; width, 10 inches. 


- 


EMILIO SANCHEZ-PERRIER 
Spanish: 1853-1907 
96—The River Bank 


Bo - His pictures have great charm and are found in some of the 
4 best collections. 


Signed at lower left. Height, 12 inches; width, 16 inches. 


HERMAN HARTWICH 
American: 1853—— 


27—Cattle at the Stream 


Pupil of Diez and Loeffts in Munich. Awards: Honorable 

9 mention, Paris Salon, 1892; bronze medal, Paris Exposition, 1901; 

| 2 gold medal, Berlin, 1902; silver medal, St. Louis Exposition, 1904 ; 

P first class medal, Munich, 1905; gold medal, Salzburg, 1907. Rep- 
resented in Museums of Leipzig, Cleveland and other galleries. 


Signed at lower left. Height, 134 inches; width, 21 inches. 


H. M. KITCHELL 
American Contemporary 
28—Landscape 
_ This picture was painted in Chicago during the summer of 
1924, at the time when Mr. H. M. Kitchell was a guest at the 
residence of Mr. Maurice H. Goldblatt. 


Purchased direct from the artist. 

Signed and dated 1924 at lower left. Height, 18 inches; 
width, 24 inches. ; 
JAMES G. TYLER 
American: 1855—— 

29—Before the Wind 


? Pupil of A. Cary Smith. Member of Brooklyn Art Club, 
rae Salmagundi Club, New York. 


Mi Ve Purchased from the Ferargil Galleries, New York. 
| Signed at lower right. Height, 16 inches; width, 22 inches. 


CHARLES P. GRUPPE 
American: 1860—— 


30—Near The Hague—Holland 


\ | Studied in Holland under Josef Israels. Was awarded many 
fi \@ ~“ prizes in Europe and the United States. Represented in many 
lh Pe galleries including the Brooklyn Institute Museum ; Tnstinats of 
i saat Arts, Detroit; National Gallery, Washington. 
This picture was exhibited in several exhibitions. 


Water color: Signed at lower right. Height, 18 inches; 
width, 24 inches. 


BRUCE CRANE, N. A. 
American: 1857—— 
31—Winter Evening 
Pupil of A. H. Wyant. Has exhibited extensively in the 
United States. Was awarded many prizes at important exhibi- 
tions. Represented in the permanent collections of the Metro- 
politan Museum, New York; Carnegie Institute, Pittsburgh; 
National Gallery, Washington ; Corcoran Gallery. Washington, 
and other important galleries. 
Water color: Signed at lower left. Height, 10 inches; width, 
20 inches. . 


CAMILLE HIPPOLYTE DELPY 
French: 1841-1910 
32—The Riverside 


Pupil of Corot and Daubigny. 
mad Signed at lower right. Height, 13 inches; width, 24 inches. 
: Z 
33—Marine—Coast of Maine 


Pupil of Pennsylvania Academy of Arts and J ulian Academy 
in Paris. Awards: Clark prize N. A. D., 1910; gold medal, 
« Buenos Aires Exposition, 1910; Boston Art Club, $100 prize; 
aie Harris bronze medal and $300, Chicago Art Institute; prize ($100), 
4 Conn., 1915; silver medal, Panama-Pacific Exposition, San Fran- 
cisco, 1915. His ‘‘Roaring Forties’’ and ‘‘The Great Deep”’ are 
in the Metropolitan Museum, New York; ‘‘The Outer Surf’’ and 
‘Surf and Fog”’ are in the Chicago Art Institute. Represented in 
nearly all the American galleries. 


Signed at lower right. Height, 12 inches; width, 16 inches. 


FREDERICK J. WAUGH, N. A. 
American: 1861—— 


CONSTANT TROYON 
French: 1810-1865 


34—Barbizon Landscape 
His parents wished him to be a painter of porcelain, but 
after a time spent in the manufactory at Sevres, he studied under 


if Rioereux, and became a painter of landscapes and animals. He 

es was influenced by Cuyp and Paul Potter, and ranks in the fore- 

i Pent most place among the French painters of the Mid-nineteenth Cen- 
tury. Medals: Paris, 1838, 1840, 1846, 1848, 1855. Legion of 


eg LLomor, 1849. Member of Amsterdam Academy. 
Jpmito Purchased from the Ferargil Galleries, New York. 


Signed at lower left. Height, 9$ inches; width, 11; inches. 


J. FRANCIS MURPHY, N. A. 
| American: 1853-1921 . 
35—Sunset | 
One of the greatest American artists. Awarded second Hall- 
garten prizé, 1885; Webb prize, 1887; medal, Columbian Exposi- 
tion, Chicago, 1893; Evans prize, 1894; gold medal, Philadelphia, 
1899; honorable mention, Paris Exposition, 1900; silver medal, 
Pan-American Exposition, 1901; Carnegie prize, 1902; silver 
15. — medal, St. Louis Exposition, 1904; Inness gold medal, 1910; 
ie if Evans prize, 1911; silver medal, San Francisco Exposition, 1915. 
-A photograph endorsed by Mr. Le Roy Ireland will be given 
to the purchaser. 
Purchased from the Ferargil Galleries, New York. 
Water color: Signed at lower left and right. Height, 113 
inches; width, 8} inches, 


LEON AUGUSTIN LHERMITTE 


French: 1844-1921 
36—In the Orchard 


Pupil of Lecoq de Boisbaudran, Awards: Third class, 1874; 
second class, 1880; Legion of Honor, 1884; Medal of Honor, Ex- 
jo position Universelle, 1889 ; Officer, 1894; Chevalier of St. Michael 
32. > 4 Of Bavaria: : 
Water color: Signed at lower left. Height, 85 inches; width, 
14 inches. 
CHAUNCEY F. RYDER, N. A. 
American: 1868—— 
37—Early Spring 
Pupil of Art Institute, Chicago; Julien Academy, Collin and 
Laurens in Paris. Awarded prizes in many important exhibitions. 
a Represented in the permanent collections of the Art Institute, ° 
5. Chicago; Corcoran Gallery, Washington; City Art Museum, St. 
| Louis; National Gallery, Washington ; Metropolitan Museum, New 
Vy York, and many other galleries. 
Purchased from the Ferargil Galleries, New York. 


Signed at lower right. Height, 16 inches; width, 20 inches. 


THEODORE ROBINSON 
American: 1854-1896 
38—At the Gateway 
Pupil of Carolus-Duran. Awarded Webb prize, 1890; Shaw 
prize, 1892; medal, World’s Columbian Exposition, 1893. 


ie This painting was purchased from the George H. Ainslie 
) 0 Gallery, 677 Fifth Ave., New York, and is guaranteed by George 
| H. Ainslie as being a genuine work by Theodore Robinson. 


Siened at lower left. Height, 29 inches; width, 19 inches... 


RALPH ALBERT BLAKELOCK, N. A. 
American: 1847-1919 
39—Sunset Landscape 
Ww bees photograph of this painting endorsed by his pupil, H. M. 
| a Kitchell, will be given to the purchaser of this painting. The 
i endorsement reads: ‘‘The painting from which this photograph 
was made I have examined and declare it to be the work of R. A. 
Blakelock, of beautiful quality and one owning tt should be proud.’’ 
(Signed) H. M. KircHeEnu. 


Siened at lower left. Height, 12 inches; width, 18 inches. 


ANTONIO MANCINI 


Italian: 1852—— 
40—A Spanish Matador 
a Pupil of Domenico Morelli and of Stanislas Lista at Naples; 
yr one of the most talented Italian artists of the modern school. 
Represented in most of the important galleries. His ‘‘Circus 
Boy’’ is in the Metropolitan Museum, New York. There are fif- 
teen paintings by Mancini in the Mesdag Museum, The Hague. 


Signed at lower left. Height, 21 inches; width, 12 inches, 


HOMER D. MARTIN, N. A. 
American: 1836-1897 


41--Scene on Lake George 


Pupil of William Hart. One of the great American artists. 
- There are four paintings by this artist in the permanent eollec- 
5! tion of the Metropolitan Museum of Art, New York. From the 
Stillman collection. 
A photograph endorsed by Mr. Le Roy Ireland will be given 
to the purchaser of this painting. 


Siened at lower right. Height, 12 inches; width, 20 inches. 


THEODORE ROUSSEAU 
French: 1812-1867 
42—-Barbizon Landscape 


Pupil of Remond and Lethiere. With Corot, Daubigny, Dupre 
and Diaz, he founded the modern French school of landscape 
painting, (Barbizon), of which he is one of the chief olories. 
Few, if any, have surpassed him in the rendering of atmospheric 
effects and in the ability to diffuse ight and air through a land- 

Ss scape. The Forest of Fontainebleau, where he spent many years 
U 1a ’ of his life, supplied him with an inexhaustible mine of subjects, 
which he rendered with rare felicity. Medals: Third class, 
1834; first class, 1849, 1855; Medal of Honor, 1867; Legion of 
Honor, 1852. 
From the Heberer collection. 


Signed at lower right. Height, 94 inches; width, 15 inches. 


HENRY P. SMITH 
American: 1854-1907 
¥ 43—Venetian Scene . 


ese Exhibited in Munich, London, Italy and extensively in the 
' United States. 


Siened at lower right. Height, 16 inches; width, 12 inches, 


J. FRANCIS MURPHY, N. A. 
American: 1853-1921 


44__Saratoga 


One of the greatest American artists. Awarded second Hall- 
earten prize, 1885; Webb prize, 1887; medal, Columbian Exposi- 
tion, Chicago, 1893; Evans prize, 1894; gold medal, Philadelphia, 

, » 1899; honorable mention, Paris Exposition, 1900; silver medal, 
ake Pan-American Exposition, 1901; Carnegie prize, 1902; silver 
L medal, St. Louis Exposition, 1904; Inness gold medal, 1910; Evans 

prize, 1911; silver medal, San Francisco Exposition, 1915. 


A photograph endorsed on the back by Le Roy Ireland will be 
civen to the purchaser of this painting. The endorsement reads: 
“T have studied this painting and know it well. It is a genwmne 
work of fine quality by J. Francis Murphy, N. A.” 


, : (Signed) LeRoy IRELAND. 
Sioned at lower left. Height, 83 inches; width 144 inches. 


JEAN CHARLES CAZIN 
French: 1841-1901 
45—By the River 


A student in the French Ecole des Arts Decoratifs, this em1- 

WN nent painter of landscapes and historical subjects spent several 

4 years in traveling and studying in England, Italy and Holland. 

ie He settled in Paris in 1875 and began to exhibit in the following 

year, obtaining many medals and other distinctions. In spite of 

his success as a painter of historical subjects, his claim on the 

recognition of posterity will center in his landscapes, his delicate 

and refined transcripts of nature being eagerly sought after by 
collectors. 


Signed at lower right. Height, 9 inches; width, 7 inches, 


PIERRE CARRIER BELLEUSE 
French: 1851—— 


46—The Ballet Girl 


Pupil of Ecole des Beaux Arts and Edgar Degas. Like Degas 
the ballet girl was his favorite subject. 


Pastel. Signed at lower left. Height, 46 inches; width, 24 
inches. 


JEAN BAPTISTE CAMILLE COROT 
French: 1796-1875 


47—Petit Pacage (The Bypath) 


yaw 


o 


He lived in Italy from 1825 to. 1828. His first picture was 
hung in the Salon of 1827, and was awarded a medal in 1851. 
He traveled much in his earlier years and was one of the most 
prolific painters of the nineteenth century. His work was highly 
esteemed in his lifetime, but it was not until after his death that 
his pictures sold at sensational figures. Medals: Second class, 
1883; first class, 1848 and 1855; second class, 1867; Legion of 
Honor, 1846; Officer, 1867; Diploma to the Memory of Deceased 
Artists, Exposition Universelle, 1878. 


This picture was painted between 1855 and 1860. 
Recorded and illustrated in A. Robaut’s ‘‘L’Oevre de Corot,’’ 
Volk 1. No, 1131. 


Photographic reproductions of pages 364 and 365 from 
Alfred Robaut’s ‘‘li’Oevre de Corot’’ will be given to the pur- 
chaser of this painting. On these pages this painting is recorded 
and reproduced. 


Siened at lower left. Height, 10 inches; width 13} inches. 


ERNEST LAWSON, N. A. 


American: 1873—— 
48—Landscape 


Studied in Kansas City, Art Students’ League of New York, 
and in Paris. Awards: Silver medal, St. Louis Exposition, 
1904; Sesnan medal, Pennsylvania Academy of Fine Arts, Phil- 
adelphia, 1907; gold medal, American Art Society, Philadelphia, 
1907; first Hallgarten prize, National Academy of Design, 1908; 
gold medal, Pan-Pacifie Exposition, San Francisco, 1915; Alt- 
man prize ($500), National Academy of Design, 1916; W. A. 
Clark prize ($1,500), and Corcoran Silver medal, 1916; Inness 
gold medal, National Academy of Design, 1917; Temple gold 
medal, Pennsylvania Academy of Fine Arts, Philadelphia, 1920; 


y 99 _— Altman prize ($1,000), National Academy of Design, 1921; first 


prize, Pittsburgh International Exposition, 1921. Represented 
in all the important galleries including the Metropolitan Museum, 
New York; National Gallery, Washington ; Art Institute, Chicago ; 
Coreoran gallery, Washington; Brooklyn Museum; City Art 
Museum, St. Louis and others. 


Signed at lower right. Height, 18 inches; width, 24 inches. 


GEORGE INNESS, N. A. 
American: 1825-1894 


49Landscape—Stockbridge, Mass. 
The authenticity of this painting is endorsed by Mr. George 
+  H. Ainslie of the George H. Ainslie galleries, New York, and by 
Mr. Le Roy Ireland. The following endorsement written on the 
back of a photograph of this painting accompanies the picture : 
‘©A charming example of Inness’s middle period.”’ 
(Signed) LeRoy IRELAND. 


Signed at lower right. Height, 103 inches; width, 16 inches. 


JULES BRETON 
French: 1827-1906 


50—Sleeping Peasant Girl 


He was the graceful sentimentalist of peasant life, fond espe- 
cially of sunsets and of depicting young girls in the labor of the 
fields. A strain of poetry runs through all his pictures. His 
“Song of the Lark’’ is at the Chicago Art Institute. He was a 

| pupil of Drolling and de Vigne. Medals, London, Vienna, and 
Brussels, and at Paris in 1855, 1857, 1859, 1861. Legion of Honor 

w 1861. Medal of the First Class, and officer of the Legion of 

Honor (at Exposition Universelle), 1867. Medal of Honor 

Abo (Salon), 1872. Knight of the Order of Leopold, 1881. Ribbon 
of St. Stanislaus of Russia. Corresponding member of the Aca- 

demies of Vienna, Stockholm and Madrid. P 

From the Millard F. Tompkins Sale, American Art Asso- 
ciation, New York. 

An illustrated page from the American Art Association cata- 
log with an illustration of this painting will be given to the 
purchaser. 

Signed and dated 1877 at lower right. Height, 24 inches; 
width, 20 inches. 


ADOLF SCHREYER 
German: 1828-1899 


51—The Halt at the Fountain—near Jerusalem 


Born at Frankfurt-on-the-Main. Belonging to a distinguished 
family, this artist enjoyed every advantage of travel and in- 
struction. In 1855 he followed the regiment commanded by 
Prince Taxis to the Crimea, making many spirited studies. 
Medals, Paris, 1864-1865-1867 (Exposition Universelle) ; Brussels 

if yee Exposition 1863, and Vienna Exposition, 1873. Cross of the 

L 1] : Order of Leopold, 1864. In 1862 he was made Painter to the 

| Court of the Grand Duke of Mecklenbeurg-Schwerin. Member 

of the Academies of Antwerp and Rotterdam, and Honorary 
Member of the Deutsches Nochstift. 

This picture was painted in 1856 and was exhibited in Italy. 
Paster on back of stretcher. | 


Siened at lower right. Height, 20 inches; width, 30 inches. 


NARCISSE VIRGILE DIAZ’ 
French: 1808-1876 


52—Roses and a Sea Shell 
John C. Van Dyke, in ‘‘ What is Art’’ writes: ‘*Diaz could 
> reveal the finest kind of art in a bunch of roses.”’ 

12 lo Born at Bordeaux of Spanish parents and a pupil of Sigalon, 
Diaz at first painted historical and genre subjects, but is now 
famous for his brilliant landscapes and figure studies. He ex- 
hibited at the Salon from 1831 and obtained medals in 1844, 1846 
and 1848; Legion of Honor, 1851. 


Siened at lower right. Height, 16 inches; width, 13 inches. 
® 


Jo! 


53—Moonlight 


RALPH ALBERT BLAKELOCK, N. A. 
American: 1847-1919 


This painting is of the very finest quality. The late Senator 
Ww. A. Clark bought a Moonlight by this artist at the American 
Art Association, New York, at auction for $13,900.00. (Hvans ~ 
sale April 2, 1913.) The Moonlight which is now in the Toledo 
Museum was bought at auction by Henry Reinhardt, at the Amer- 
ican Art Association, for $20,000.00. ~(Lambert sale, Feb. 22, 
1916.) 


The following endorsements on the backs of photographs 
of this painting accompany this picture: 


“T have examined this painting and find it genuine and all 


| right. It is of the middle period of Mr. Blakelock’s work.’’ 


(Signed) Exuutorr DAINGERFIELD. 


“T have examined the painting from which this photograph 
was made and will say that it was painted by my friend, R. A. 
Blakelock.’’ (Signed) H. M. KrrcweEtn. 


Signed at lower left. Height, 20 inches; width, 24 inches. 


FRANZ DeBEUL 
Belgian Contemporary 


54—-Shepherdess and Sheep 


Studied in Holland under Anton Mauve. 
Sioned at lower right. Height, 22 inches; width, 28 inches. 


HENRI HARPIGNIES 


French: 1819-1917 
55—River Scene 


Chevalier of the Legion of Honor. <A pupil of the landscape 
painter Achard, Harpignies also studied in Italy and began to ex- 
hibit at the Salon in 1853. He continued to exhibit for over half 
a century and received numerous medals and other distinctions. 
Nearly all the French and foreign art museums contain examples, 


05 either in oils or in water colors, of this remarkable and talented 
/ landseape painter. 


Sold by the American Art Association, New York. 
Purchased from the Ferargil Galleries, New York. 
Signed at lower left. Height, 10 inches; width, 15 inches, 


GUSTAVE COURBET 
French: 1819-1877 


56—The Source 


One of the brilliant figures in French painting of the nine- 

teenth century. A pupil of David d’Angers, but uninfluenced by 

ys any master, Courbet’s landscapes and marines are distinguished 

K by their truth to nature and by their careful finish. Represented 
in nearly all important galleries. 


Purchased from Holland Galleries, New York. 
Signed at lower right. Height, 20 inches; width, 24 inches. 


ALBERTO PASINI 
| Italian: 1826-1899 
57—The Caravan 


Born near Parma and a pupil of Cireri at the Parma Acad- 

emy. Pasini also studied under Isabey and Rousseau in Paris. 

He traveled extensively in the East, and it is by his Oriental 

ra pictures that he is best known. He received many medals at 
[| the Salon between 1859 and 1878. 


Sioned at lower left. Height, 22 inches; width, 35 inches. 


ALEXANDER WYANT, N. A. 
American: 1836-1892 
58—Landscape 

Went abroad about 1866, became pupil of Hans Gude in 
Carlsruhe, and a student of the works of Turner and Constable 
in London. Elected, Associate, National Academy of Design, 
1868; National Academy, 1869. 
_+ A photograph endorsed by Mr. Le Roy Treland will be given 
to the purchaser of this painting. 

Signed at lower left. Height, 10 inches; width, 54 inches. 


ie, 


ALFRED VON WIERUSZ KOWALSKI 
7 Polish: 1849—— 


wv 59—The Polish Farmer’s Team 
aR Born in Warsaw, Poland. History and genre painter, pupil 
of Warsaw, Dresden and Munich Academies; at the latter under 
Alexander Wagner and Joseph Brandt. His ‘“Winter Scene in 
Russia’’ is at the Layton Art Gallery, Milwaukee. 
Purchased from M. Knoedler & Co., New York. 


Signed at lower left. Height. 28} inches; width, 47 inches. 


EUGENE ISABEY 
French: 1804-1886 


60—French Coast Scene | 
In 1830 he accompanied the expedition to Algiers:as royal 


ae, marine painter. Medals: First class, 1824, 1827, 1855; Legion of 
Ay {Uj Honor, 1832; Officer, 1852. Represented in nearly all the prin- 
Oy cipal galleries of the world. 3 


Signed at lower right. Height, 11 inches; width, 16 inches. 


THOMAS SULLY 
American: 1783-1872 


61—Portrait of Childhood 


Born in England. Taken to America at the age of nine years. 

Pupil of Benjamin West and Gilbert Stuart. He made several 

visits to Europe. In 1838 he painted a portrait from life of Queen 

 Vietoria. The study for a portrait of Queen Victoria and ten 

0) — other paintings by this artist are in the Metropolitan Museum, 

New York. There are two portraits by Sully at the Art Institute, 
Chicago. | 

This portrait was engraved by J. Cheney. 


Sioned with monogram T. S. at lower centre. Height, 30 
inches; width, 25 inches. 


J. M. W. TURNER, R. A. 
English: 1775-1851 


62—Italian Landscape 

| Turner used fugitive colors during two periods of his career; 
during the year 1807 when he painted a number of cattle pictures, 
several of which are in the National Gallery and Tate Gallery 
London; and also from 1840 to 1851, the time of his death. The 


paintings of these two periods found in the English galleries 
are catalogued as unfinished pictures. ; 
: This painting belongs to the second of these periods. It was 
A / painted in Italy in the early forties. 
ne The following endorsement will be given to the purchaser 
/ of this painting: ‘‘I certify that I have this day carefully exam- 
ined the Oil Painting, 20 inches by 27 inches, submitted to me, and 
declare it to be the genuine work of the world-renowned English 
artist, J. M. W. Turner, and that it was painted between 1840 and 
1845. 

“Tt is fully characteristic im style, technic and color, of this 
famous painter’s work at this period, and is similar to many of 
Turner’s works in the National Galery, London, England.’’ 

(Signed) Harry DYKEs, 
of Dykes & Sons, London. 


Mr. Harry Dykes is a famous dealer and expert in Bond 
St., London, England. 
Height, 20 inches; width, 27 inches. 


JOHN CONSTABLE, R. A. 
English: 1776-1837 
63—On the River Stour 
‘(A river scene with a lock, bridge, figures and horses.”’ 


Pe dv The above is the description of this painting as it appeared 
i? J) ~ in the catalog when it was sold on March 18, 1913, at Christie’s. 
rp es The stock number was 486 C. C., which appears on the back of 


the stretcher, and the catalog number was 116. 

This painting, upon: the removal of the varnish which had 
turned dark brown, was discovered to be one of Constable’s 
greatest masterpieces. It was painted circa 1824 and was pur- 
chased direct from the artist by Mr. S. Hammond of Welbury, 
Yorkshire, who sold the picture to Mr. Joseph Sama of 59 Great 
Queen St., London, from him it came to Dr. Ellison, and was later 
inherited by Mrs. Cunningham, for whom it was sold at Christie’s 
in 1913, to a London dealer, who sold it to Mr. Horace Townsend 
of New York. Mr. Goldblatt purchased it from the Estate of 
Horace Townsend. | 


Height, 60 inches; width, 76 inches. 


HERMAN RUDISUHLI 
Swiss: 1864—— 
64— Autumn Landscape 
Pupil of Arnold Boecklin. One of the greatest colorists of 


at)" “the Swiss school. Painted in Italy, Switerland and Germany. 
AD fet He is a master of light and shade and of atmospheric effects. 


ry / 


~ Sioned and dated 1903 at lower left. 
Height, 21 inches; width, 27 inches. 


SIR HENRY RAEBURN, R. A. 
British: 1756-1823 


65—Portrait of Lady Chester 


Was born at Stockbridge, near Edinburgh. One of the best 
\ portrait painters of the British school. 


Height, 30 inches; width, 25 inches. 


RALPH ALBERT BLAKELOCK, N. A. 
American: 1847-1919 


66—Indian Dance at Sunset 
A Masterpiece by one of America’s Greatest Masters. 


The following authentications, on the backs of photographs, 
by the three greatest experts on the work’ of R. A. Blakelock, 
will be given to the purchaser of this painting. The endorse- 
ments read: 


In my judgment this is a genuine Blakelock. It is an im- 
portant composition, and there are passages of rare beauty in it. 
(Signed) Exuiotr DAINGERFIELD. 


Mr. Watrous wrote on the back of the same photograph: 
**T endorse the above.’’ 
(Signed) Harry W. Warrous, N. A. 


Mr. Kitchell, a pupil of Blakelock, wrote on the back of 
another photograph: ‘‘I have examined the panting from which 
this photograph has been made. This picture thoroughly shows 
me that it was painted by Blakelock. I have seen him at work 
on just such pictures as this photograph was made from and know 
from the clear and defined handling of the foliage and drawing 


that is the work of R. A. Blakelock.’’ 
(Signed) H. M. KrrcHetu. 


Signed at lower right. Height, 20 inches; width, 36 inches. 


NARGCISSE VIRGILE DIAZ 
French: 1808-1876 


67—Fall Scene—In the Forest of Fontainebleau 

Born at Bordeaux of Spanish parents and a pupil of Sigalon, 
Diaz at first painted historical and genre subjects, but is now fa- 
mous for his brilliant landscapes and figure studies. He exhib- 
ited at the Salon from 1831 and obtained medals in 1844-1846 
and 1848; Legion of Honor, 1851. 

Sold at the Diaz Studio sale. Stamped by the Freneh Gov- 
ernment, ‘‘Vente Diaz’’ at the lower left. 

Purchased at the American Art Association, New York. 

Siened at lower right. Height, 23 inches; width, 183 inches. 


HOMER D. MARTIN, N. A. 
American: 1836-1897 
68—In the Catskills 
Pupil of William Hart. One of the great American artists. 
There are four paintings by this artist in the permanent collection 
a of the Metropolitan Museum, New York. 
x A photograph endorsed by Mr. Le Roy Ireland will be given 
} to the purchaser of this painting. , 
Sioned at lower left. Height, 20 inches; width, 30 inches. 


PAUL JEAN CLAYS 
Belgian: 1819-1900 


69—Early Morning near Amsterdam 


Marine painter, pupil in Paris of Gudin. Medals: 1851, 
second class, Paris, 1867, 1878; Legion of Honor, 1875; Officer, 
1881; Order of Leopold. His ‘‘Dutch Boats in Roads of Flush- 
ing” (1870) is in the National Gallery, London. Represented in 
nearly every gallery in Europe and the United States. ‘‘In 
Holland Waters’”’ and ‘‘River Scheldt, near Antwerp’’ are in the 
Chicago Art Institute. 

Inseribed on the back “‘No. 25. Effet du matin aux ee 


_“d’ Amsterdam. P. J. Clays. 1875.’’ Purchased from the Amer- 


ican Art Association, New York. 


Signed -and dated 1875 at lower right. Height, 294 inches; 
width, 43+ inches. 


W. ELMER SCHOFIELD, N. A. 
American: 1867—— 


70—Winter Hills 


Pupil of Pennsylvania Academy of Fine Arts, Philadelphia, 
Bouguereau, Ferrier, Daucet and Aman-Jean in Paris. 

Has exhibited extensively in the United States and Europe 
winning many prizes. Represented in nearly all of the im- 
portant galleries in the United States including the Art Institute, 
Chicago; Metropolitan Museum, New York; Corcoran Gallery, 
and National Gallery, Washington; Cincinnati Museum, Brooklyn 
Museum and many others. 


Purchased from the Ferargil Galleries, New York. 
Signed at lower right. Height, 20 inches; width, 24 inches. 


ADOLF SCHREYER 
German: 1828-1899 


71—Wallachian Stable on Fire 


\ 


Even when Schreyer was a pupil at the Stadel Institute in 
his native city of Frankfort he was studying horses in the 
riding school and anatomically. All his life he was a keen lover 
of horses and dogs, and later surrounded himself with them at 
his estate near Kronberg. After leaving the Institute he pursued 
his studies at Stuttgart, Munich and Dusseldorf. Then he em- 
braced the opportunity to accompany Prince Thurn and Taxis in 


his expedition through Hungary, Wallachia and Southern Russia, 


and in 1854 accompanied the Austrians on their march through 
the Danubian principalities. Settling in Paris he was attracted 
by the work of Fromentin, and made visits to Syria and Egypt 
in 1856, and Algiers in 1861. 


This painting is mentioned in Champlin’s Cyclopedia of Paint- 
ers and Paintings, Vol. IV, page 148. 


Signed at lower left. Height, 13 inches; width, 24 inches. 


JEAN LEON GEROME 
French: 1824-1904 


72—Camels Grazing in the Foothills of the Desert 


Pupil of Paul Delaroche, whom he accompanied to Rome in 
1844, and of Gleyre in Paris. Sculptor as well as painter. 


Awards: Medals, 1847, 1848, 1855; medals of honor, 1867, 1874, 


1878; for sculpture, 1878; Legion of Honor, 1855; Officer, 1867; 
Commander, 1878; Member of Institute, 1865; Professor Hcole 
des Beaux Arts, 1863. 


Signed at lower left. Height, 26 inches; width, 40 inches. 


JEAN FRANCOIS RAFFAELLI 
French: 1850—— 


73—The Three Minstrels 


A pupil of Gerome and a regular exhibitor at the Salon since 
1870, receiving honorable mention in 1885 and a gold medal in 
1889. He has painted portraits, landscapes and genre subjecix, 
and by each of these types he is represented in various French 
public galleries, but Raffaelli is especially happy in his scenes of 
Parisian life. 


Signed at lower right. Height, 153 inches; width, 223 inches. 


FRANZ VON LENBACH 
German: 1836-1904 


74_Portrait of a German Poet 


The greatness of Lenbach as a portrait-painter consists, pri- 
marily, in his power of comprehending the psychological qualities 
of his subject and in the fearless veracity with which he records 
his observations. 


Signed at upper right. Height, 32 inches; width, 22 inches. 


2G HANS MAKART 


Austrian: 1840-1884 


_ Announcing the End of Diana’s Hunt 


AN 


\v 


mel 


Makart was born at Salzburg and became a pupil of the 
Vienna Academy under Ruben, afterwards studying for four 
years with Piloty at Munich. At the age of twenty-nine he was 
invited to settle at Vienna by the Emperor Franz Joseph. Honors 
were showered upon him; he was the vogue; his studio in the 
Ring Strasse presented a prodigality of rare and beautiful fabrics 
and works of art; he aroused the German Philistines to an appre- 
ciation of the beautiful, and was the first German ‘“‘painter’’ of 
the century. He was an inspired painter, whose merit it was 
to have announced to the Germans afresh in an overwhelming 


cpppasrmrcsatissareumarousscnscceti 


style that revelation of color which had been forgotten since the 
Venetians and Rubens. 

Professor Alfred Chatain, in his certificate of authentication, 
writes: ‘‘The above referred to painting I hereby certify to be an 
original work by Hans Makart. This painting possesses evidence 
of being an original in all its characteristics of style, technique, 
color tonality and composition, and expression of the master’s 
artistic qualities. 

The signature is positively genwine. This painting is a true 
representative of Hans Makart’s style of composition and deco- 
rative coloring, which is wonderful im tonality and. harmony. 

In confirmation of the above official opimon I hereby acknow!l- 
edge its authenticity over my seal.’’ 

(Signed) Pror, ALFRED CHATAIN. ° 
The certificate will be given to the purchaser of this painting. 
Signed at lower right. Height, 50 inches; width, 64 inches. 


FRANK C. PEYRAUD 
American: 1858—— 


76—Sunset on the Mississippi River 


Pupil of Chicago Art Institute; Ecole des Beaux Arts, Bon- 
nat, and Friedburg in Paris. Awards: Fortnightly Prize, Chi- 
cago Art Institute, 1899; Butler Prize, Chicago Art Institute, 
1912; Municipal Art League Purchase, Chicago Art Institute, 
1912; Chicago: Society of Artists medal, 1912; Cahn honorable 
mention, 1913; Grower prize, 1915; bronze medal, Panama-Pacific 
Exposition, San Francisco, 1915; silver medal Hamilton Club, 
1920 ; ‘Cahn ‘prize, 1921. .- 3 | | 


Siened at lower right. Height, 20 inches; width, 30 inches. 


(LOUIS) BRUCK-LAJOS 
Hungarian: 1846—— 


77—Blowing Bubbles 


Born at Papa, Hungary, Nov. 3, 1846. Pupil of Vienna Acad- 
emy; studied from 1869 until 1872 in Italy, especially in Venice, 
where he was a pupil of the Academy. 


He also studied in Paris with Munkacsy. 
Signed at lower left. Height, 46 inches; width, 32 inches. 


ETIENNE LABITTE 


/ French Contemporary 
78+-Peasant Girls 


, f 


aR ce a Pupil of Ridgway Knight and Kcole des Beaux Arts, Paris. 
/ 0 2) «~~ Signed at lower left. Height, 23 inches; width, 20 inches. 


HUGUES MERLE 
French: 1823-1881 


79—The Bather 
Medals 1861, 1863. Legion of Honor, 1866. Exhibited in 
sixteen Salons, from 1847 to 1880, inclusive, forty-eight pictures. 
His ‘‘Beatrice and Benedick’’ was bought by Frederick Layton, at 
» the A. T. Stewart sale, and is now in the Layton Art Gallery, 
f2fjv “ Milwaukee, Wis. ‘‘Falling Leaves’’ and ‘‘ Maternal Love’’ (lent 
by George W. Vanderbilt), are in the Metropolitan Museum of 
Art, New York. His ‘‘Hagar and TIshmael,’’ ‘‘Charlotte Corday,’’ 
‘‘RBeatrice and Benedick’’ and ‘‘Hamlet and Ophelia,’’ have en- 
joyed celebrity. 
This painting was exhibited at the Salon of 1870. 
Purchased at the American Art Association, New York. 


Sioned and dated 1870 at lower left. Height, 46 inches; 
width, 32 inches. 


CONSTANT MAYER 
French: 1&32—— 
80—The Reaper 
Genre and portrait painter, pupil of the Ecole des Beaux Arts 
and of Leon Cogniet in Paris. Legion of Honor in 1869. Lived in 
> » 4 America from 1857 where he painted portraits of prominent men, 
/\ including General Grant and General Sherman. 


Signed at lower right. Height, 53 inches; width, 36 inches. 


LOUIS DESCHAMPS 


; French Contemporary Ch Se PRED Bae 

81—The Twins f i 

ra Was born at Montelimar (Dorme). Genre and portrait painter, 
‘J« pupil of Cabanel. ; 

His ‘‘Foundling’’ in the Luxembourg, Paris, is world famous. 

This painting is one of the Masterpieces of the Nineteenth 


century. It was exhibited in the Salon of 1885, and is recorded in 
Champlin’s Cyclopedia of Painters and Paintings, Vol. 1, page 396. 


Purchased from M. Knoedler & Co., New York. 
Siened at the lower right. Height, 50 inches; width, 40 inches. 


GILBERT STUART 
American: 1755-1828 


82—Portrait of a Gentleman 


Born in Narraganset, Rhode Island, Dee. 3, 1755; died in Bos- 
ton, July 27, 1828. Pupil of Cosmo Alexander, whom he accom- 
panied to Scotland, and later with Benjamin West, who employed 
him as an assistant. His portraits show great insight into char- 
acter and are remarkable for their simplicity of means. They 
, ave great individuality, excellent balance of light and shade, 
(0 and generally pure color. The following endorsement written on 
the photograph of this painting, accompanies the picture: ‘‘/ 
have carefully examined the painting of which this is a photograph. 
It 1s one of the last works by Gilbert Stuart, 1755-1828.”’ 

(Signed) G. FRANK MULLER. 


Height, 30 inches; width, 25 inches. 


J. M. W. TURNER, R. A. 
English: 1775-1851 


83—Scene in the Swiss Alps 
Comparatively few of Turner’s paintings in oil have retained 
their original colors. On the contrary, those painted in water 
~~ | colors have not deteriorated, but, in fact, have improved through 
—)" peing mellowed by age. 
Painted circa 1803. 
Purchased at Christie’s, London. 
Signed at lower right hand corner, J. M. W. Turner R. A. 


Water color: Height, 12 inches; width, 17 inches, 


j 


Hague. 


HORACE VERNET 
French: 1789-1863 


84—-Battle Scene 


Son and pupil of Carle Vernet, and pupil of Moreau and Vin- 
cent. When fifteen years old he supported himself by his draw- 
ings. In 1814 Napoleon decorated him with the Legion of Honor 
for gallant conduct of the defense of the Barriere de Clichy, which 
he subsequently painted. Officer of the Legion of Honor, 1825; 
Commander, 1842; Grand Officer, 1862; Medal of Honor, Paris Ex- 
position, 1855. 3 


Vernet painted successfully military oriental, and biblical 
scenes, but after 1836 he devoted himself chiefly to battle-pieces 
and pieces illustrative of Arab life in Algeria. 


Water color: Signed H. V. at lower right. Height, 18 


- inches; width, 23 inches. 


WILLEM MARIS 
Dutch: 1844-1910 


85—Holland Landscape 


The youngest of the three Maris brothers. Was born at The 


Sold by Carroll Galleries, London. 

Sold at Christie’s, London. . 

Purchased from Cottier & Co., New York. 

Sioned at lower left. Height, 31 inches; width, 43 inches. 


GASTON GUIGNARD 
French: 1848-1920 


86—Sunset in Corsica 


Pupil of Ferry, Chevalier of the Legion of Honor. Honorable 
mention, Paris, 1883; medal, second class, 1884; Hors Concours. 
1887; gold medal, Paris Exposition, 1889 ; gold medal, 1888; Medal 
of Honor, International Exposition, Nied. 1891. In the permanent 
collections of the Luxembourg, City Hall, and Petite Palace des 
Beaux-Arts, Paris; Pau; Evreaux; Uzes, Lyons; Bordeaux; Syd- 
ney; Buenos Aires; Montevideo; London, and in many other 
galleries. 


Sioned at lower right. Height, 18 inches; width, 26 inches. 


EUGENE JETTEL 
Austrian: 1845-1901 


87—In the Holland Lowlands 


Landscape painter; pupil in Vienna of Albert Zimmerman ; 
traveled in France, Italy, Hungary and Holland. His ‘‘ Wood 
Landscape in Ramsau’’ and ‘‘Hintersee’’ are in the Vienna — 
Academy. His ‘‘Marsh in North Holland”’ is in ‘the Metropolitan 
Museum, New York. His ‘‘Gray Day in Holland” and ‘‘ Marshes 
in the North of Holland’’ are at the Art Institute, Chicago. 


Purchased from Goupil’s, New York. 
Signed at lower right. Height, 21 inches; width, 31 inches. 


RICHARD PARKES BONINGTON 
English: 1801-1828 


88—Don Quixote 


yom 


Bonnington was one of the most forceful figures in art dur- 
ing his brief career. While his technique was French, his feeling 
was Enelish. 3 
He studied at the Ecole des Beaux Arts in Paris, but his art 
was chiefly influenced by Constable, and, like him, he was a bril- 
liant impressionist, and together they may be regarded as the 
founders of the Barbizon School. 


Water color: Signed R. P. B. at lower left. Height, 73 
inches ; width, 54 inches. 


FREDERICK J. WAUGH, N. A. 
American: 1861—— 


89—Sweep of the Rising Tide 


Pupil of the Pennsylvania Academy of Arts and Julian Acad- 
mey in Paris. Awards: Clark prize N. A. D., 1910; gold medal, 
Buenos Aires Exposition, 1910; Boston Art Club, $100 prize; Har- 
ris bronze medal and $300, Chicago Art Institute; prize ($100), 
Conn., 1915; silver medal, Panama-Pacific Exposition, San Fran- 
cisco, 1915. His ‘‘Roaring Forties’’ and ‘‘The Great Deep’’ are 
in the Metropolitan Museum, New York; ‘‘The Outer Surf’’ and 
‘‘Surf and Fog”’ are in the Chicago Art Institute. Represented in 
nearly all the American galleries. 


Mr. Frederick J. Waugh, who called at the residence of Mr. 
Maurice H. Goldblatt, in order to see his collection, recognized this 
painting as one that he had painted on the Coast of Maine in 
1919. He said that he considered it one of his best paintings. 


Signed at lower right. Height, 25 inches; width, 36 inches. 


ad | 


SIR THOMAS LAWRENCE, P. R. A. 
(School of) 
English: 1769-1830 
90—Mrs. Siddons 
Height, 144 inches, width, 143 inches. 


0. HUDSON M. KITCHELL 
American Contemporary 


91—Sunset Landscape 


This picture was painted in Chicago during the summer of 
1924, at the time when Mr. H. M. Kitchell was a guest at the 
residence of Mr. Maurice H. Goldblatt. 


ni~ Purchased direct from the artist. 
: Sioned at lower left. Height, 25 inches; width, 30 inches. 


BERNARDO BELLOTTO (called Canaletto) 
Italian 1720-1780 


92—Piazza of San Marco—Venice 


Nephew and pupil of Canaletto, by whose name he is some- 

 » times known. Went to Rome and afterwards to Germany; 

d pe worked in Munich and afterwards in Dresden, where he was 

| employed by Count Bruhl and became court painter to Augustus 
ADB ee 


Height, 24 inches; width, 38 inches. 


: WILLIAM MORGAN 
| | American: 1826-1900 
qj 


93—Watching the Chicks 


Born in London. Genre painter, pupil of National Academy, 
7 ~ New York, where his professional life was spent. He was an 
Q ny Associate of the National Academy. 


Signed at the lower left. Height, 18 inches; width, 24 inches. 


LUIS GRANER 
French Contemporary 


94—The Japanese Lantern 


Member of the Societe Nationale des Beaux Arts, Paris. 
Visited America and painted many portraits including one of 
| 1S Mrs. Theodore Roosevelt. | 


Signed at lower right. Height, 30 inches; width, 24 inches. 


SCHOOL OF TITIAN 


Italian 16th Century 
95—Venus and Cupid 


This is evidently a part of a larger composition. It was 
painted in the studio of Titian by one of his pupils; possibly by 
Tintoretto. Titian’s influence is unmistakable. 

Height, 24 inches; width, 20 inches, 


HUDSON M. KITCHELL 
American Contemporary 
96—Landscape 


This picture was painted in Chicago during the summer of 
1924, at the time when Mr. H. M. Kitchell was a guest at the 
residence of Mr. Maurice H. Goldblatt. 


0) = Purchased direct from the artist. 
gD 7 . Signed at lower right. Height, 22 inches; width, 30 inches. 


HENRY C. BISPHAM 
American: 1841-1882 


97—Italian Cattle and Landscape 


Animal painter; pupil in Philadelphia of Edmund D. Lewis 

2 and William T. Richards, and studied in Paris under Otto Weber 

and Emile van Mareke. Professional life passed in Philadelphia, 

c ') New York, Paris and Rome. Was successful in the delineation of 
4 ‘wild animals and cattle. 


Signed at lower right. Height, 174 inches; width, 22 inches. 


THEODORE ALEXANDER WEBER 


German: 1838—— 
98—Homeward Bound 


Marine and landscape painter, pupil in Berlin of Krause; 
went to Paris in 1856, where he studied under Isabey, and soon ac- 
quired a great reputation. Went to London in 1870, and settled 

4) y in Brussels in 1874. | 
; Medals: Rouen, 1866; Havre, 1868; London, 1871; Philadel- 
7 phia, 1876. 
Signed at lower right. Height, 14 inches; width, 214 inches. 


ESAU J. HALOW 
American: 1892—— 
99—Moonlight 
| Studied in Philadelphia, New York and Boston. Exhibited at 
| the Pennsylvania Academy of Fine Arts; Art Institute, Chicago; 
77 Pan-American Exposition, Los Angeles, and many other ex- 
2,0: hibitions. Represented in many important collections. 


Purchased direct from the artist. 
Signed at lower right. Height, 12 inches; width, 9 inches. 


CAMILLE MAGNUS (Diaz) 
French: 1808-1876 


100—Barbizon Landscape 


: Diaz painted a number of pictures which he signed Camille 
| | : Magnus, which he sold at lower prices than those that he signed 
| N. Diaz. 


Signed at lower left. Height, 10 inches; Width, 16 inches, 


M. G. WYWIORSKI 
\ | Polish: 1861—— 
, , 101—A Russian Traveler 
Signed at lower left. Height, 16 inches; width, 11 inches. 


— 
: \x? ARTHUR B. DAVIES 


American: 1862—— 
102—Sand Dunes 
Pupil of Dwight Williams at Utica; studied in New York and 


_- Chicago. 
sd Represented in the permanent collections of the Metropol- 
\ | itan Museum, New York; Art Institute, Chicago; Brooklyn Mu- 
seum. 
Water color: Signed at center. Height, 5 inches; width, 83 
inches. 


JEAN HONORE FRAGONARD 
French: 1732-1806 


103—-Christ Ascending Into Heaven 


* Pupil of Chardin and Boucher. In 1752 obtained the Grand 

['- Prix de Rome for his ‘‘Jeraboam,’’ now in the Ecole des Beaux 

; Arts. In Italy he studied especially Tiepolo; after his return, 
received into the Academy in 1765. 


Sepia Drawing: Signed at lower right. Height, 103 inches; 
width, 8 inches. 
PAUL STADE 
104—The Attic Closet 
Pupil of Alfred Stevens. 
5. 4 Signed and dated at lower left. Height, 38 inches; width, 
L| 24 inches. 
WILLIAM J. KRULLAARS 


American: 1878—— 
105—Landscape | 


5 as Pupil of Rotterdam Academy of Fine Arts, and Art Institute, 
U4 Chicago. Member of Chicago Society of Artists. } 


Signed at lower left. Height, 15 inches, width, 18 inches. 


J. BAUER 
German Contemporary 


106—The Itinirant Musicians 
Sioned at lower left. Height, 34 inches, width, 26 inches. 


F. NARDI 
Italian Contemporary 
107—Introduction to the Cardinal 


4 Water color: Signed at lower right. Height, 15 inches; 
>} ‘ width, 22 inches. 


JASPER F. CROPSEY, N. A. 
American: 1823-1900 


108—On the Banks of the Hudson 
Landscape painter. Pupil of Edward Maury. 


Se Water color: Signed at lower right. Height, 14 inches; 
width, 22 inches. | 


WILLIAM WILSON COWELL 
American: 1856-1908 
109—Landscape 


. = | Pupil of Edward Moran and John Faulkner at the Pennsyl- 
i - vania Academy of Fine Arts. Exhibited extensively in the 
Si: ) United States and Europe. 


Water color: Signed at lower right. Height, 12 inches 
width, 14 inches. | 


HENDRIK VAN BAKHUYZEN 
Dutch: 1795-1860 
10—Dutch Fishing Boats 
| Pupil of J. Heymans. Member of Amsterdam Academy, 
' and Director of School of Design at the Hague in 1822. Medals: 


Brussels, 1821; Antwerp, 1822; The Hague, 1839; Order of 
Lion, 1847. yy | 


"5 ? Signed at lower left. Height, 15 inches; width, 18 inches. 


K. STUHLMULLER 
German Contemporary 
111—Cattle at the Brook 
Signed at lower right. Height, 21 inches; width, 17 inches. 


—_ 
9 HYACINTHE RIGAUD 
(School of) 
French: 1659-1743 
112—Portrait of A Lady 
Height, 30 inches; width, 25 inches. 


iS 
| Wy, BROQUET LEON 
French Contemporary 
113—Spring Landscape 
| 55" | Signed at lower left. Height; 26 inches; width, 32 inches. 


° L. MADERLINCK | ; 
Belgian Contemporary 


114Feeding the Parrot 


Us on Pupil of Alfred Stevens. 
Signed at lower right. Height, 22% inches; width, 14% inches. 


“~ 


HUDSON M. KITCHELL 
American Contemporary 
115—Landscape : 


This picture was painted in Chicago during the summer of 
1924, at the time when Mr. H. M. Kitchell was a guest at the 
residence of Mr. Maurice H. Goldblatt. 


Lt ie 7 Purchased direct from the aritist. 
Sioned at lower right. Height, 18 inches; width, 24 inches. 


A. RODETTI 
Italian Contemporary 


| 116—Grand Canal—Venice 7 
Rodetti is one of the best colorists of the modern Itaha 


’ y < ° ° ° e . ° e 
UY 3 _, school. Has exhibited extensively in the important exhibitions 
we '- =n Hurope. 3 
Sioned at lower left. Height, 26 inches; width, 40 inches. 


ETTORE CASER 
Italian: 1880—— 
117—A Garden Party 


Pupil of de Maria in Venice. Went to Boston in 1908. } 
Awarded silver medal Pan-Pacific Exposition San Francisco, 


h —_ 1915. we 
/ yO Purchased from the Ferargil Galleries, New York. w 
Sioned at lower right. Height, 20 inches; width, 24 inches. ~ ° 


JOHN TRUMBULL 
(School of) 
American: 1756-1843 
118—Gen. George Washington 
Purchased from the Chas. F. Gunther Estate sale. 
3 hb. Height, 30 inches; width, 25 inches. 


A. REYNA 
Italian Contemporary 
119—The Lagoon—Venice | 


Pupil of Martin Rico. 
| Signed at lower right. Height, 14 inches; width, 29 inches. 


0 Kp - ALBERT INSLEY 
YS alan American: 1842— 
140—Spring Landscape k 
Sioned at lower left. Height, 12 inches; width, 18 inches. 


pain s 
ji W. V. BROMLEY 
” 


English Contemporary 
121—_The Village | | 
ae Signed at lower left. Height, 20 inches; width, 30 inches. 
rue. : 


A. GLENDEN 


: American 
122—Landscape and Cattle 
Signed at lower left. Height, 304 inches; width, 38 inches. 


WW a F. WAINWRIGHT 
English Contemporary 
123—Sheep at Pasture 


Water color: Signed at lower left. Height, 28 inches: 
- width, 46 inches. 


32.8 


C. FEDELER 
American Contemporary 
/ 124—On the Coast of Maine 
Signed at lower left. Height, 24 inches; width, 38 inches. 


& 


: se? 
/ S. BUTLER 


American Contemporary 


1254—-Beach at Nahant, Mass. ! 
a Signed at lower left. Height, 16 inches; width, 24 inches. 


[ : ; W. KOOIMAN v2 
Dutch Contemporary / 


-s 26—Holland Cattle 
| Signed at lower left. Height, 16 inches; width, 24 inches. 


A. KRATKY 
French Contemporary 


127—French Artillery Officer 
} Signed at lower left. Height, 18 inches; width, 14 inches. 


/ U or ‘J, HARTLEY 


American Contemporary 


128—On the Beach—New Jersey | 
45 Signed at lower left. Height, 22 inches; width, 36 inches. — 


MURRAY THOMPSON 
English Contemporary 


129—-Common Pastures—Surrey, England 


/ Water color: Signed at lower right. Height, 20 inches;-- 
js mee ridth. 30 inches 


OC. H. SHERMAN 
American Contemporary 


130—Woodland Landscape : 
y Signed at lower left. Height, 20 inches; width, 25 inches. 
y.— : 


M. CABUT 
French Contemporary 


131—-Roses ey) Berries 


Water color: Signed at lower left. Height, 22 imches 563 


50 _ width, 15 inches. 


J. HENSHAW , 
American Contemporary 
- 132—Manhattan Bridge | 


Pastel: Signed at lower right. Height, 28 inches; width, 
22 inches. 


L/ ao D. A. HILL 
American Contemporary 
133—Lake George : 
Sioned at lower right. Height, 34 inches; width, 44 inches. 


3 wee - HUDSON M. KITCHELL 
American Contemporary 


134—Sunset Landscape 


parsed direct from the artist. 
/ vole: i Signed at lower right. Height, 16 inches; iene 20 inches. 


E. COURTOIS 
French Contemporary 


13 —Cattle in the Meadow 


dD « 
M. MATTHEWS, R. C. A. 
Canadian Contemporary | 


136—Farm near Richmond Hill—Canada 


4) ” Water color: Signed at lower right. Height, 15 inches; 
4 “ - : 


width, 19 inches. 


~ Signed at lower left. Height, 21 inches; width, 26 inches. 


wer 


J. FLINTEN 
English Contemporary 
137—Near the Cornish Coast 


Water color: Signed at lower right. Height, 105 inches; 


29" of width, 18 inches. 


WESLEY WEBBER 
American Contemporary 
138—Moonlight Marine 
Signed at lower left. Height, 11 inches; width, 14 inches. 


7 : : B. NEUVILLE 
Contemporary 


139—Sleeping Kittens 
Signed at lower right. Height, 14 inches; width, 17 inches. 


2] Pa E. MASSONI 
Italian Contemporary 


a 140—Lido, with Venice in the Distance 
1: Wea tp pigned at lower right. Height, 144 inches; width, 214 inches. 


' 
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_ 1926 Feb. 18 ChGrG c.1 
sie S MO cee paintings. 


HILO UU 


3 3125 01164 3787 


